Dear friends. It is a good day in the Dark Jester cave as I’ve finished a longterm project. This Chaos Warhound Titan and display base.
I’ve really tried to pull out the stops on this one. It was a great opportunity to go a little nuts. Within the brief provided by the customer of course.
For this project there is very little airbrush work. Only the primer and black basecoat and an initial dark blue/grey zenithal highlight. Everything else is purely brushwork.
My customer asked for a heavily oxidised look to all the metals. So lots of verdigris and rust applied as stabilised washes of very thin paints rather than washes.
Details on the titan itself include rust in all the chips and scratches, gore around all the lovely chaosy fleshy bits and cold blue glows from everything that could conceivably glow.
The glows are done with Minitaire Plasma Blue mixed with varying amounts of white. The blue itself is transparent so the more white you add, the more opaque it becomes.
For the interior, I felt that more blue glows and definitely more gory bits were called for.
I think I enjoyed the banners most. They were drawn in pencil and graphic pen on woven effect paper that had been glued on to very thin copper sheet. The copper allowed me to shape the banners. A coat of matt varnish to seal the pen work was needed and then it was straight on to the painting.
I wanted lots happening on the base. To me this meant dead Ultramarines, fire, doom and destruction and the occasional tainted patch. As a point of note. The titan has steel rods drillinto the undersides of the feet so that he is steady on this display base but can also be attached to a more practical round gaming base.
I can’t think what this poor chap did to deserve this but it made for a fun little focal point on the base.
I have thoroughly enjoyed this project. From start to finish. I’m hoping to be doing more really big chaos at a later date.
The Wight Jester
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What did that poor marine do? He was an Ultramarine. 'nuff said. Looks awesome!
The Titan is awesome.
wow that is one amazing Titian, and an even more amazing base.
Great work.
That has got to be one of the best titans I have ever seen thus far. You sir, are insanely talented when it comes to freehand. And that OSL… speechless.
Would you do a tutorial some time on how to paint a banner like this? Also, can you let us know more about the base – is it completely scratch-built?
The base is a piece of contiboard. Sanded down to provide a good surface to stick the parts to. I've used various bit of scenery from my bit cupboard plus half a tactical squad and most of a contemptor.
The texturing is a combination of cork pieces, sand, scale ballast, pva and black primer. I've also used Vallejo Lava Paste to build up areas and fill gaps between scenery pieces.
The tainted bits are all Greenstuff. The bit cracked Ultramarine stone seal started out in life as a polystyrene flat tray from a supermarket pizza. It was cut to shape and sealed with acrylic filler before being given a coat of gloss and being covered in crackle paint. I carved the chaos symbol into it with a scalpel and filled it with my own recipe of gore and skulls. The daemonic glowy swirly bits were added freehand afterwards.
The studs round the edge of the base are just curved metal furniture stud which I freehand painted with little glowing symbols.
I'll see what I can do in the way of a freehand banner tutorial. I'm currently working on a black angular armour guide at the moment. 🙂
Thanks folks. Glad you like it. 🙂
had great fun with this one.
"For this project there is very little airbrush work. Only the primer and black basecoat and an initial dark blue/grey zenithal highlight. Everything else is purely brushwork."
You say that as if airbrushing were a bad thing. 🙂
Though I get your meaning, too many folks these days neglect developing their brush-work, but it is a fundamental skill. Just look at James Wappell's work…that man is the master of brushwork and it really adds a level of authenticity that cannot be matched by the airbrush.
On to your piece of work here – truly a work of art. You tell a story with this piece and that is a true measure of quality.
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This was not meant to be directed at anyone on this blog. The level of authenticity here is high by all the artists. I use my airbrush extensively…it's just that brush-work adds some level of "painterliness" reminiscent of paintings you'd see in an art gallery.
It's interesting though to see which artists people like. Made me think which ones I like. Strange as not really given it a thought before. I think both airbrush and normal brush together is the best option. Really don't like it when a person only uses a airbrush for the whole model.
I had to remove my comment's about Jen Haley as that could amount to insulting 🙂
I have not seen much of her work lately, but as I recall it is quite good. Natalia Melnik is another amazing female painter that I have not seen much from lately. Wappell is quite good, and has a completely unique style that is derived from 2D painting. His tutorials are quite good, but I am unsure of his "shaded basecoat" technique. I can get it to work sometimes, but other times I end up completely painting over it and worrying about excess paint on the miniature.
Natalia Melnik is really good from what I seen.
Of course you can Jamie. It works a treat. 🙂
This looks Awesome !!, love the idea with the thin copper sheet and woven paper….can I nick it 😉
Awesome!
looks absolutely fantastic!